This month Lamakaan brings films of one of the greatest and most influential filmmakers in the world of cinema.
About Andrei Tarkovsky: Andrei Arsenyevich Tarkovsky (Russian: Андрей Арсеньевич Тарковский, IPA: [ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj]; 4 April 1932 – 29 December 1986) was a Russian filmmaker. Widely considered one of cinema's greatest and most influential directors, his films explore spiritual and metaphysical themes. They are noted for their slow pacing, long takes, dreamlike visual imagery, and preoccupation with nature and memory.
Tarkovsky studied film at Moscow's VGIK under filmmaker Mikhail Romm and subsequently directed his first five features in the Soviet Union: Ivan's Childhood (1962), Andrei Rublev (1966), Solaris (1972), Mirror (1975), and Stalker (1979). A number of his films from this period are ranked among the best films ever made. After years of creative conflict with state film authorities, Tarkovsky left the country in 1979 and made his final two films abroad; Nostalghia (1983) and The Sacrifice (1986) were produced in Italy and Sweden, respectively. In 1986, he also published a book about cinema and art entitled Sculpting in Time. He died later that year of cancer, possibly caused by the toxic locations used in the filming of Stalker.
Tarkovsky was the recipient of several awards at the Cannes Film Festival throughout his career (including the FIPRESCI prize, the Prize of the Ecumenical Jury, and the Grand Prix Spécial du Jury and winner of the Golden Lion award at the Venice Film Festival for his debut film Ivan's Childhood. In 1990, he was posthumously awarded the Soviet Union's prestigious Lenin Prize. Three of his films—Andrei Rublev, Mirror, and Stalker—were featured in Sight & Sound's 2012 poll of the 100 greatest films of all time.
Film Title: The Sacrifice | 1986 | 142 minutes | Russian language subtitled in English |
The Sacrifice (Swedish: Offret) is a 1986 drama film written and directed by Andrei Tarkovsky. Starring Erland Josephson, the film was produced by the Swedish Film Institute. Many of the crew were alumni of Ingmar Bergman's films.
The Sacrifice centers on a middle-aged intellectual who attempts to bargain with God to stop an impending nuclear holocaust. The film combines pagan and Christian religious themes; Tarkovsky called it a "parable".
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